AL-2955 (
al2955) wrote in
cradleproject2016-09-03 03:40 am
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WEEK 13 - 01010000 01000001 01011001 00100000 01011001 01001111 01010101 01010010 00100000 01010010
the pygmalion. . . ONLINE ![]() CAPTAIN'S LOG: WEEK (13) |
saturday (10) survivors ![]() Something is different. You can feel it in the air: an ominous presence that weighs down the ship like it's underwater. Try as you might, you can't escape the feeling that you're being watched, the sensation of someone just out of view tailing you. Tensions are high, and paranoia grows with it. You feel it more than see it, and that's what warps your perception of the ship. Is it darker? Are the lights dimming? Who is it that calls out to you? Why is it so cold? Who can you trust? The distinct sensation of not knowing who your back is to wraps around you. There is one thing you can trust in, however; though you feel exposed, you are not alone. Mother is here for you. taken list profiles private conversations setting rulebook ENTER COMMAND_ |
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I won't leave you. But you need to break out of this illusion and come find me, okay? This ship isn't real, no one you're seeing other than me is real here. It's just another one of the Queen's tricks, don't fall for it.
no subject
[The ship isn't real, she has to find her way out, Light has asked this of her and she won't, can't let him down. Tears well up in her eyes and she shouts through sobs.]
Where are you, what do I do?!
no subject
You need to break the illusion by destroying as much of the ship and killing as many of the people on it as you can. The Queen will try to use them against you, but remember that they're all fake no matter how convincing they might seem. The real ones are right here with me. I know you can do this, Clover, you'll be fine. I'll be waiting on the other side, okay? I love--
[And with that, "Light" vanishes.]
no subject
Burn it down, burn it down; she's got to get back to him, she'll tear this ship apart if that's what it takes, none of them are real and so if he's asked this of her then she'll see everyone in this ship dead at her feet. Her grip shifts around the handle of the meat cleaver, and she runs.
It isn't long before she's found matches, smashed glass and hacked-off fixtures in her path, and she's back to the gardens; nearby, the most flammable place she can think of, the most damage done quickly. Burn it down, burn it down, she has to get back to him—she sets matches in the grass and the bushes and stumbles back against the doorway, breathing hard.]